Dances With Wolves… in Space! (aka Avatar)

avatar

Kirk Cameron’s—wait, no—James Cameron’s latest epic Avatar is now playing, and if you’re like me, you’re thinking to yourself “big fucking deal.” I can’t see myself watching it anytime soon. Cameron’s work generally bores me to tears, and Avatar looks like no exception. I don’t care about his fancy-pants VFX; the trailer simply bored me. People I know who have seen it in 3D rave about its epic visuals, but from what I hear about the basic storyline my initial reaction to the trailer is being confirmed.

beowulfWhen I watch the trailer, I see absolutely no emotion in the CGI characters’ face. None, and that’s the dealbreaker. Looking into the CG characters’ eyes, I see the same dull expressionlessness I saw in the characters of

Gollum

Robert Zemeckis’ 2007 atrocity Beowulf (which had to be stopped less than 20 minutes in). In 2009, if you spend 10 years making a film and you can’t even match the emotional quality of Gollum in Lord of the Rings: The Two Towers (2002), then you did something horribly wrong.

dances_with_wolvesOther than the ostensible style-over-substance quality of the film, something about the story itself makes me loath to give both time and money to this movie. One review online has convinced me that I am right to not waste either: When Will White People Stop Making Movies Like “Avatar”? by Annalee Newitz. Newitz sums up Avatar as a film where “a white man who was one of the oppressors [of those fancy blue creatures that are thinly veiled stand-ins for North American indigenous people] switches sides at the last minute, assimilating into the alien culture and becoming its savior.” In other words, it’s Dances with Wolves, but in space!

Avatar is a fantasy about ceasing to be white, giving up the old human meatsack to join the blue people, but never losing white privilege. Jake never really knows what it’s like to be a Na’vi because he always has the option to switch back into human mode.

Sound a little heavy for an analysis of a sci-fi movie? If you think that movies are just movies and that their sole contribution to our social schema is entertainment and therefor critiquing their treatment of race is absurd, then I’m guessing you are both white and really need to read this from the comment section to Newitz’s piece (comment posted by Moff):

Of all the varieties of irritating comment out there, the absolute most annoying has to be “Why can’t you just watch the movie for what it is??? Why can’t you just enjoy it? Why do you have to analyze it???”

If you have posted such a comment, or if you are about to post such a comment, here or anywhere else, let me just advise you: Shut up. Shut the fuck up. Shut your goddamn fucking mouth. SHUT. UP.

First of all, when we analyze art, when we look for deeper meaning in it, we are enjoying it for what it is. Because that is one of the things about art, be it highbrow, lowbrow, mainstream, or avant-garde: Some sort of thought went into its making — even if the thought was, “I’m going to do this as thoughtlessly as possible”! — and as a result, some sort of thought can be gotten from its reception. That is why, among other things, artists (including, for instance, James Cameron) really like to talk about their work.

Now, that doesn’t mean you have to think about a work of art. I don’t know anyone who thinks every work they encounter ought to only be enjoyed through conscious, active analysis — or if I do, they’re pretty annoying themselves. And I know many people who prefer not to think about much of what they consume, and with them I have no argument. I also have no argument with people who disagree with another person’s thoughts about a work of art. That should go without saying. Finally, this should also go without saying, but since it apparently doesn’t: Believe me, the person who is annoying you so much by thinking about the art? They have already considered your revolutionary “just enjoy it” strategy, because it is not actually revolutionary at all. It is the default state for most of humanity.

So when you go out of your way to suggest that people should be thinking less — that not using one’s capacity for reason is an admirable position to take, and one that should be actively advocated — you are not saying anything particularly intelligent. And unless you live on a parallel version of Earth where too manypeople are thinking too deeply and critically about the world around them and what’s going on in their own heads, you’re not helping anything; on the contrary, you’re acting as an advocate for entropy.

And most annoyingly of all, you’re contributing to the fucking conversation yourselves when you make your stupid, stupid comments. You are basically saying, “I think people shouldn’t think so much and share their thoughts, that’s my thought that I have to share.” If you really think people should just enjoy the movie without thinking about it, then why the fuck did you (1) click on the post in the first place, and (2) bother to leave a comment? If it bugs you so much, GO WATCH A GODDAMN FUNNY CAT VIDEO

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Please, Consider Making a Donation

Right now, this entire production is being funded entirely by my own wallet. It’s not easy, but when you are passionate about something—like I am for telling this story—then you do what you can, when you can, with what you have. Even with technology making the tools of production more accessible to independent filmmakers like myself, shooting a film is still an expensive endeavour. I have been lucky in finding some people willing to work for hire on a deferred basis; without their co-operation, I would still be stuck at square-one.

There are so many great causes out there asking you for money, and in this economy it’s even harder to give. Regardless, I am asking those of you who believe in this film and who have the means to make a donation, even if it is a modest one. Everyone who makes a donation will be credited both on this website and in the end credits as supporters of the project (unless you specifically request anonymity… or wish to give in someone else’s name).

Using the button on the right will take you to PayPal’s secure interface to make a donation. Please note: this film is not affiliated with any non-profit organization, therefor donations likely have no tax benefits. Arzher Productions is the name of my production company (thus the arzher.com email address). Please be sure to include your first and last name and your city to be credited on the site and in the film credits!

Thank you again for all your love and support. Sincerely,

Mike Barber
Director, A Past, Denied: The Invisible History of Slavery in Canada

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MacBook Pro FAIL. Tabernac!

Just moments after backing up the footage from the Winbush interview shoot to an external drive my 10-day old MacBook Pro died! In all my years as an Apple user (I go way back to the early days with my Apple ][e) I’ve never experienced such a horrendous FAIL/WTF!!!

It doesn’t help matters that I’m currently in Philadelphia, where there is currently no Apple Store. oh, well…back on the train to Montreal tomorrow. will have to take it in then.

Let this be a lesson to all: always, always, always have a backup solution in place and USE IT. Also, don’t cheap out and buy those POS LaCie drives. Spend a few extra bucks for a G-Drive. Your piece of mind is worth it. I know mine is.

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On the Road

I’m currently sitting in the Green Line Cafe at Locust and South 45th Street in my old neighbourhood of west Philadelphia. I’m here for a few days of R&R after a short but crazy leg of shooting in D.C. and Baltimore last week.

These past two interviews have been two years in the making. It was late November 2007 when I initially contacted Dr. James Loewen and Dr. Raymond Winbush about being in my documentary. At the time, I figured that finding support for a project such as this one would be relatively easy. I assumed that either the National Film Board of Canada (NFB) or the Canadian Broadcast Corporation (CBC) would be eager to participate in the production of a documentary taking aim at confronting the lie in our historical narrative that we are a country free of the racial past that embroils our southern neighbours even to this day. I assumed that I would be ready to begin photography as early as Summer 2008. How naive was I!

So here we are, winter 2009. Progress is being made, slowly but surely. Back in March 2009 I was able, with the great help of Randal Martin, to shoot an interview with Dr. Dorothy Williams (who is featured in the first teaser) in Montreal. These two most recent shoots were made with the help of Adam Reuter (camera op) and Michelle Farrell (Absolute Independent Pictures equipment rental) of the Baltimore area. The world of independent filmmaking is built and sustained by the spirit of co-operation and giving and all three of these individual embody this spirit.

jwluvm.JPGThursday (3 December, 2009), was my shoot with sociologist and historian James W. Loewen. Dr. Loewen is the author of such great books as “ Lies My Teacher Told Me: Everything Your High School History Textbook Got Wrong,” “Lies Across America: What Our Historic Sites Get Wrong,” and “Sundown Towns: A Hidden Dimension of American Racism” (all three of which I consider to be required reading for anyone and everyone interested in social justice issues or just history in general). Scheduling issues resulted in an interview that was shorter than I would have liked—about 25 minutes total of recorded footage—but I am still thrilled to have had the opportunity to sit down with Loewen and get what I did.

winbush_2309On Saturday (5 December, 2009), was my interview with scholar/activist Raymond Winbush. Dr. Winbush is Director of the Institute for Urban Research at Morgan State University, editor of  ”Should America Pay?: Slavery and the Raging Debate on Reparations” and author of “Belinda’s Petition: A Concise History of Reparations for the Transatlantic Slave Trade” and “The Warrior Method: A Parent’s Guide to Rearing Healthy Black Boys”. We sat down for about an hour and a quarter for a fantastic and inspiring interview.

I’m going through the interview material over a very large cafe mocha, drinking in every word along with the coffee-choclate blended goodness. The road ahead is still long. Without any real  financial support at the moment, I rely on my own financial health (for what it is) to keep things going. I will spend some time over the next few weeks cutting something together to present to the Canadian film industry powers-that-be and hope that it will entice them out of their complacency and inaction. Stay tuned.

IMG_0221

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White Man’s Burden: The Movie!

White_mans_burden_the_journal_detroitMy first article for Race-Talk.org is finally up. Not only that, but it has also been cross-posted in The Huffington Post! Much thanks again to Jamaal Ra’Shon Bell from the Kirwan Institute/Race-Talk.org for giving me this opportunity! More to come, count on it.

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An Honour and a Privilege

I have to admit, back a few years ago when Twitter first hit the scene I was skeptical. My first impression was the same as that of many others: that it was just another silly outlet for vanity, another tool for self absorbed attention-addicts to get their fix. The idea of having to read through what people just ate or from where they were Tweeting (e.g. the toilet) was just too… stupid. I’ll just say it: stupid.

However about a year ago I got hip to a few trending topics for people working in the film and television post-production world: #editingandpost and #postproduction. These quickly proved to be useful tools in relation to my day gig as an editor at a visual effects company. As I started to enter into initial production (the phase I am calling my gathering of interview material) I decided to not only set up this site/blog, but also use Twitter as a means to spread awareness. Through this I started to engage other people on Twitter who post on social justice issues, especially those pertaining to #racism.

2009-12-01-LOGOBlackIt was through this medium that I met Jamaal Ra’Shon Bell from the Kirwan Institute for the Study of Race and Ethnicity at The Ohio State University. He invited me to be a guest contributor for Race-Talk.org, a new online magazine/blog which aims to “revolutionize thought, communication and activism related to race and equality.” It is very new, having officially launched just this past week, but already has a swath of great articles that I encourage you to go read… NOW!

I am honoured and feel privileged to be offered an opportunity to contribute to such a project.

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Race and Online Dating

An interesting study made by the people at OkCupid examines the correlation between first-contact attempts and responses. According to them, “it was immediately obvious that the sender’s race was a huge factor.” I’m not going to dissect the data here, it’s an interesting post that is well worth the read. One thing I found particularly is their data on attitudes towards interacial dating:

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McRacist

McDonald’s is loving it, and by “it” I mean racism. (click image to enlarge)

Don’t be passive. Go tell McDonald’s what you think of this ignorance.

UPDATE (9/12/09): I have asked McDonald’s UK corporate office to comment on the policy outlined in the above notice. I’ll post their response when/if they issue one.

UPDATE (9/13/09): I’m starting to wonder if this is actually a clever hoax. First, there is no date on the document. Second, is a the use of the word “decent” when they really mean “descent”. Possibly just a typo, either way it is worth noting.

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A Facebook Page, Denied

For the third time this year, I have made a failed attempt to create a Page for this documentary film on the social networking site Facebook. It fails because it appears there is something offensive in the title “A Past, Denied: The Invisible History of Slavery in Canada.”

Facebook-page-denial

So my attempt to create the page has failed three times now. After each failure, I followed the “Customer Support team” link because I did, in fact, believe that they were in error to automatically bar my efforts to create a legitimate Page to promote a legitimate film. Twice before this have I filled out their little form, which includes little space for comment. I never heard from the Facebook support team before, and I seriously doubt I will this time.

You may be thinking, “if the word ‘slavery’ is causing the issue, why not shorten the Page title to just ‘A Past, Denied’?” It’s a simple and fair question to ask. My answer is also fair and simple: I shouldn’t have to.

Whatever Facebook’s issue is with the title of my film, they should speak up and say what it is.

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Looking for Refugee Status in Canada? Invoking the Black Boogieman Seems to Work

Brandon Huntley

Brandon Huntley

Last week the story emerged that a white man from South Africa was granted refugee status by the Canadian Immigration and Refugee Board. The claimant is Brandon Huntley, a 31 year-old former carnival worker who now lives in Ottawa. Huntly alleges that “whites are targeted by black criminals in South Africa and that the government does nothing to protect them.” He said he was “attacked six or seven times by black South Africans and that those beatings left him with scars on his stomach, right eye, right side of the body and hands.”

William Davis, the chair of the tribunal—which operates independently at an arm’s length from the federal government—says that he believes Huntley would “stand out like a ‘sore thumb’ due to his colour in any part of (South Africa)” and that he finds “the claimant was a victim because of his race (white South African) rather than a victim of criminality.” The African National Congress, the current majority party in the South African government, has denounced the ruling as a “racist move.”

Continue Reading

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